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a geometric abstractionist movement originated by Kazimir Malevich in Russia that influenced constructivism

References in periodicals archive ?
For example, good and bad guys almost literally wear white and black hats in the showdown between Russian suprematist painter Malevich (of the white on white canvases) and his Stirner-quoting rival painter Rodchenko (of the black on black ones) at Russia's 1919 "Tenth State Exhibition of Nonobjective Creation and Suprematism.
Others such as Pamela Bone, Julie Szego and Nick Cohen went further, following a wilfully naive military humanitarianism all the way across to an increasingly chauvinistic western suprematism.
I'm still not sure that I understand what Modernism is (or was)--certainly not a style, for it encompassed Futurism and Suprematism, Dada and the Neue Sachlichkeit, lavish houses for millionaires and Existenzminimum.
During that period, the general alliance of radical modernism and Communism visible in the 1920s not only in Russia, as exemplified by Malevich's suprematism, Eisenstein's film technique, Osip Mandelshtam's poetics, and Boris Pilnyak's prose style, but also in the cultural milieux of both Western and Eastern Europe was liquidated physically on Soviet territory and intellectually in the West.
According to Clark, true modernism and true socialism came closest to fruition in the art of Suprematism, and with UNOVIS, the cultural arm of radical Bolshevik intellectuals and artists led by Kasimir Malevich and El Lissitzky.
He was much more well-known for his totally abstract Proun series, which were among the founding objects of Russian Suprematism, an extreme avant-garde movement.
The first, "Kasimir Malevich's Black Square and the Genesis of Suprematism," was published in 1981 and is about the Russian founder of suprematism, an art movement of the early 1900s.
Along with white suprematism, The Klansman promotes fear of government, especially the IRS (which is termed the "Internal Repression System"), and advocates a return to the Constitution "as it was originally written.
Or, as Wallace Stevens would have it in the passage from Notes toward a Supreme Fiction which I take as epigraph for these remarks, the only thing that might save a would-be supreme fiction from suprematism or the supremacist may well be the "foreign" site from where the poem springs, a place "not our own and, much more, not / ourselves," though it be "hard" and "in spite of blazoned days.
The Phillips sale in New York on 11 May will comprise an exceptional group of Impressionist and Modern paintings, including a major work by Kasimir Malevich, the founder of Suprematism, as well as important paintings by Cezanne, Monet, Sisley, Miro, Picasso and Toulouse-Lautrec among others.
The Klimt had been consigned after an ownership settlement agreed between the Klimt Foundation, which had been given the portrait in 2013, and the heirs of the sitter; Malevich's Suprematism, 18th Construction of 1915 had been returned to his heirs after a long dispute, leaving the Stedelijk Museum Amsterdam after 50 years.
The point of departure for "Report from the Exhibition," which jux-taposed works by Eustachy Kossakowski and Goshka Macuga, was the oeuvre of Kazimir Malevich, the father of Suprematism and the painter of that cornerstone of modernism Black Square, 19 I 5, an image that the artist made his signature.
In the paper which I composed at the kind invitation of the trustees at this year's ACE conference, I addressed '"Convictions of things not seen": A change from Suprematism to Constructivism in Russian revolutionary art'; and the present text is an extended excerpt of that, dealing with a project in painting and a contemporary theoretical text by El Lissitzky (1890-1941), the uniquely gifted disciple of the founder of 'Suprematist' abstract or non-objective painting, Kazimir Malevich (1879-1935) whose Suprematist Painting: White on White, of 1918, a very intuitive set-up of a 'nonsquare' skewed within a literally square field, is a classic example.
Supporting the visual presentation are essays on the American legacy, suprematism, and Malevich's availability, as well as reprints of a 1974 Art in America essay by Donald Judd, interviews with Mel Bochner and James Turell about Malevich, and a chronology and exhibition history.
Malevich is regarded as a pioneer of twentieth century abstract art and the founder of Suprematism.