In these films, the disburdening power of the they presents a vulgar, attractive depiction of death that obfuscates Dasein's true relationship with this certainty.
Another pacification that these films offer in their disburdening is in regards to hope and survival.
If death is the structure for our being, it is the one that needs the most disburdening by the levelling down of the they.
(11) I argue that masking the insuperable possibility of death as inauthentic demise for the purpose of disburdening Dasein as a they-self is the ontological structure underlying this type of apocalyptic cinema.
Anton points out a guilt in the being of Dasein as a they-self in relation to its restriction of possibility (the they levels down possibilities); the continuance of this restrictive they across generations creates a burden for Dasein that can be alleviated through the disburdening vicariousness of apocalyptic film.
As I have demonstrated, the existence of the ontic phenomenon of apocalyptic film is based on both the situation of these films as the product of an ontic umwelt and on an ontological behaviour of the they-self in disburdening. Heidegger posits that the being of innerworldy beings unlike Dasein is relevance, which allows innerworldly beings to function significantly in an ontic world.
Instead of the disburdening effect of seeing a world out of balance and a corrupt culture destroyed, Melancholia dwells on the characters' personal relationships with their impending death.
James Dickey did not believe in a poetry of confession--or as he called it, of "personal complaint."(6) For Dickey, the purpose of poetic transmission was not a disburdening
of personal angst, but a participation in and a transference of a novel experience.