burnt umber


Also found in: Dictionary, Encyclopedia, Wikipedia.
Graphic Thesaurus  🔍
Display ON
Animation ON
Legend
Synonym
Antonym
Related
  • noun

Synonyms for burnt umber

dark brown pigment obtained by heating umber

Related Words

a medium brown to dark-brown color

References in periodicals archive ?
The artist begins by applying a thick layer of oil paint, most often in burnt umber.
I'd wear my burnt umber, orange and olive green dress, or maybe jeans and a silk top.
IN the light-filled living room, Karen painted one wall a warm burnt umber, which was made up to her specification by Crown Paints.
His descriptions of the Klamath National Forest and the Six Rivers National Forest are chilling and lend a certain credence to the idea that something must be out there: The forest vanished suddenly he writes leaving only scrub brush and scattered splinter pines growing at odd angles from angular stone surfaces glazed with a sheen of ocher and burnt umber.
3-by-8 Burnt umber and tangerine add instant cheer.
Fading green melts into burnt umber on massive trees, the planet's own awe-inspiring cathedrals.
Muted yellow and burnt umber walls, polished floorboards, wooden chairs and linen napery create an informal yet classy look to the place.
In addition, glazes are being used in tones like Van Dyke brown, burnt umber and soft black to complement rather than contrast with base color.
With the burnt umber, draw little hearts in the center of the shutters.
Color of the resin was matched to the patient's skin color by adding burnt umber, yellow ochre and burnt sienna pigments into the monomer and by mixing pink and clear acrylic polymer.
After wiping clean with a damp cloth, a little burnt umber acrylic paint was diluted with 10 parts water, and the brown-coloured liquid was applied over the whole surface with a sponge, following the direction of the wood grain.
Apply two coats of cream emulsion and create an aged look by brushing on a very diluted solution of burnt umber artist's watercolour paint, following the direction of the grain.
Conservancy executive director Joseph Edmiston was riding herd on the work, helping decide whether the burnt umber paint on the outbuildings blended well with the landscape.