Quite often a communication act may be untimely or not to the point, thus negatively influencing the addresser
and causing his confrontation tune which may imbalance further course of conversation and bring it to a stop.
Third, Jacobson assumes that the selfhood of the addresser
and addressee are pre-given.
So as soon as the encoding process comes into view, we see the implied author in the role of the addresser
in the communication model of narrative.
Compared to this, the presence of the lyrical "I" in "Byzantium" is extremely limited, and allows no further inference about its position than that of the addresser
of the text.
Roman Jakobson's model involves an addresser
, an addressee, coding and decoding of a message, etc.
Neither doing full justice to Ricoeur's refined theory, nor to the notions of "split addresser
and addressee" introduced by Jakobson, I will concentrate on "split reference" in the above sense.
Presuppositions and inferences as a case of tensions between an addresser
and an addressee in literary communication have been subtly analyzed by Glowinski ("Komunikacja literacka").
It is assumed that these example sentences would be totally unintelligible, if there were not a pragmatically governed pre-condition which can be specified as there is an intentionally conveyed meaning that the addressee knows what the addresser
implies here by
This point of view, says Hantzis, generates an "alternating pattern of identification and displacement" in which the reader is both drawn into the text when he or she identifies (and identifies with) the addresser
and addressee of the "you," and expelled again when their identities slide and make identification untenable.
In the present study, the participant context is basically twofold: addresser
Even though the narrator is obviously the insubstantial invention of the author, pragmatic meaning construction remains very firmly predicated on the assumption of an addresser
observing the maxims of cooperation in human communication.
Second-person narratives, in so far as a speaker or addresser
emerges from the text, moreover, tend to move along and across another boundary line, that between the discourse and the story.
Communication theory has long accustomed us to think of any interchange as consisting of three main components: addresser
, message, addressee, where addresser
and addressee normally and regularly switch roles.
By the sudden introduction of "you" in the text, the narrative center in [4-S] is shifted to the Addresser
3-Addressee 3 level from the Addresser
4-Addressee 4 level, which is foregrounded in [4-L].
So, working with the archive means a constant exposure to germs, mold, dust and mites and to protect yourself you have to wear a mask and surgical gloves--the researchers and the addressers
have to wear them also.