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Related to red-violet: red-purple, reddish purple
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Synonyms for red-violet

of violet tinged with red

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References in periodicals archive ?
The red-violet is the closest one to being a pure color.
Assorted red, orange, yellow, blue, aqua, green, purple, red-violet, and pink prints
In terms of age and garment type in the color preferences of the girls, magenta, yellow, blue-violet, and red-violet were the top choices for underwear; magenta and red-orange for trousers; and the preference for magenta, yellow-orange, and yellow for shirts decreased as age increased.
It was determined that the colors preferred most by most of the girls for all garment types were magenta, red-violet, red, and red-orange.
She repeated the pale red-violet hue and bell shape of the vine's flowers by planting the tall, stately spired Foxy strain of foxglove (Digitalis purpurea) in front.
Red-Violet Tone-on-Tone 3 yards for blocks and sections Multicolor Print 1 1/8 yards for blocks and sections Blue Print 2 3/8 yards for blocks Cream Tone-on-Tone 5/8 yard for blocks Orange Print 2 1/8 yards for blocks and sections Gray Tone-on-Tone 3/8 yard for blocks Blue Tone-on-Tone l 5/8 yards for blocks and binding Backing 8 1/2 yards Batting 96" x 104"
Red-Violet Tone-on-Tone 272 squares (A) 2 1/2" x 2 1/2" 128 rectangles (C) 2 1/2" x 6 1/2" Multicolor Print 80 squares (A) 2 1/2" x 2 1/2" 40 rectangles (B) 2 1/2" x 4 1/2" 16 rectangles (C) 2 1/2" x 6 1/2" Blue Print 144 rectangles (B) 2 1/2" x 4 1/2" 72 rectangles (C) 2 1/2" x 6 1/2" Cream Tone-on-Tone 96 squares (A) 2 1/2" x 2 1/2" Orange Print 72 squares (A) 2 1/2" x 2 1/2" 120 rectangles (B) 2 1/2" x 4 1/2" 40 rectangles (C) 2 1/2" x 6 1/2" Gray Tone-on-Tone 48 squares (A) 2 1/2" x 2 1/2" Blue Tone-on-Tone 11 strips 2 1/4" x 40" for binding 48 rectangles (B) 2 1/2" x 4 1/2" 24 rectangles (C) 2 1/2" x 6 1/2"
But the artist further enriched the painting with subtle inclusion of three more pairs of complementary colors: red-violet with yellow-green, blue-violet with yellow-orange, and blue-green with red-orange.
They correctly identified red-violet. I emphasized the importance of carrying on the progression correctly.
Sew the red-violet strips together end to end and cut this strip into 4 lengths of 62 1/2".
2 | A Roesen juggled four pairs of complements for this demanding still life--orange with blue, yellow with violet, green with red and yellow-green with red-violet. The result is a glorious balance of warm and cool hues.
He pushed some of the oranges toward yellow-orange and red-orange, some violets toward blue-violet and red-violet, and some greens toward blue-green and yellow-green.
2 A The four colors--orange with blue and red-violet with yellow-green--make a tetrad color scheme.
DAY 5 Lastly, have students paint the violet, red-violet and blue-violet sections of their practice color wheels.
Other tones Charbonneau thinks have a future are red-violets, yellows in combination with blue, and the earthy tones found in Tuscany.