Negro spiritual

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  • noun

Synonyms for Negro spiritual

a kind of religious song originated by Blacks in the southern United States


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References in periodicals archive ?
Continue reading "A Black Classical Singer and Convert to Judaism Embraces the Negro Spirituals Heard at Some Passover Seders" at.
While this bifurcation is not exclusively due to the influence of Negro spirituals, musical elements characteristic of spirituals--pitch approximation, repetitive melodies, rhythmic drive and complexity, call and response, and occasional communal participation--helped to create jazz (often considered the first truly American music), blues, and gospel music.
See, for example, George Pullen Jackson's 1932 "The Genesis of the Negro Spiritual," in which he argues that "Negro spirituals" are derived wholesale from mid-nineteenth-century white Protestant hymns.
Its title was 'Oh Freedom', from the Negro Spiritual.
This paper examines from such historical perspective two of black America's gifts to the world: the Negro spiritual and the blues.
2, the 12-track CD, which includes selections such as "Our Father;" "Didn't My Lord" and "An' I Cry," traces the roots of and discovers how the Negro spiritual grew from the plains of West Africa to the fields of America.
I've always been fascinated how the brass repertoire has been mixed into such genres as the negro spiritual," says Ian.
It is not unusual for predominantly white churches to sing songs from the Negro spiritual hymnals.
native's idea of an authentic way to quote a Negro spiritual.
The old Negro spiritual knew: "Hear the word of the LORD.
A number of the pieces are reflective of the culture of different countries, and there are several in American popular styles, such as Boogie-Woogie, Blues, Cowboy Song and Negro Spiritual, while still others are picturesque and descriptive, like Walking in the Mist and First Snow.
So my wife signed and I left, humming a snatch of a Negro spiritual and then breaking into a couple verses of "This Land is Your Land.
says, if we follow King, instead of just admiring him, we can all join with him in singing the words of the old Negro spiritual, "Free at last
I find most of it insulting, both intellectually and musically, with only rare exceptions (for example, Busta Rhymes and Wu Tang Clan when viewed as social commentary; rap will be the Negro spiritual of future anthropologists of black culture).
The piece opens with an orchestral introduction in which the thickened monody of the parallel chords creates the impression of a Negro spiritual hummed in the distance, setting a serious but lyrically expressive tone for the work as a whole.