Nabokov

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Synonyms for Nabokov

United States writer (born in Russia) (1899-1977)

References in periodicals archive ?
His Pigeon Feathers, a collection of short stories, lays bare his bold ingenuity and intense seriousness as a writer, and because he unflinchingly witnesses the troubled human condition and then describes what he sees with a wondering conscience, he sits shoulder to shoulder with Parker and Nabakov. So, when in 1963 Ship of Fools, Pale Fire, and Pigeon Feathers were among the books being considered for The National Book Award, they were formidable competitors for the prize.
Rorty's study on Nabakov's Lolita and Pale Fire in Contingency, Irony, Solidarity emphasises the cold self-reflexive singularity of reflexive cruelty, a cold singularity that is indifferent to or simply unaware of the sufferings and joys of others (pp.
(67.) Igor Markevitch to Boulanger, February 12, 1962, NLa 83 (281), BN; and Nicolas Nabakov to Boulanger, ca.
(24.) Peter Nabakov and Robert Easton, Native American Architecture (New York: Oxford University Press, 1989), 340 (see the photo caption).
If only Nabakov had penned "The Jewel of Medina," the writer's words in his supposedly inferior second language would have been much more welcome.
According to The Bookseller magazine, Alexis Kirschbaum, editor at Penguin Classics, bought the book and rights to continue publishing the Nabakov backlist in a six-figure deal.
And would the reader who enjoyed Alan Hollinghurst's book The line of beauty necessarily enjoy Vladimir Nabakov's Lolita if they are both housed in the relationship section?
The others were Joseph Conrad, Vladimir Nabakov, and Jerzy Kosinski.
(6) In a compelling reminder of the silenced heritage of contemporary oral history, American anthropologist Peter Nabakov claims that Indigenous oral histories 'complement, contextualise, or provide reinterpretations for written constructions of shallower pasts'.
(For example, in Lolita, while we do not identify Humbert Humbert with Nabakov, certain sentiments about American culture the narrator expresses may ostensibly be also attributed to the author.) As Lanser notes, there are also occasions when the "I" voices are double, multiple, and mutable: "the narrator's words sometimes belongs to the author as well as to the narrating character and sometimes do not" (216, original emphasis).
One of the lyrics includes: "He starts to shake and cough/Just like the old man in that book by Nabakov".
But whereas Boym focuses on artists exiled from Russia and Eastern Europe (including Nabakov, Brodsky, Stravinsky, and Benjamin), Su takes a broad range of Caribbean, African American, Native American, Nigerian, and British writers.
Classic writer Vladimir Nabakov in the 1950s wrote Lolita, a book that sexualized a pre-teen girl and resulted in his work being banned.
The articles cover a variety of topics ranging from the two introductory essays on the socially and historically constructed definitions of "childhood," to a discussion of obscenity and Vladimir Nabakov's Lolita and an analysis of autonomy among adolescents experiencing gender dysphoria.
Nabakov calls every great novel a fairy tale, Nafisi reports.