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Words related to fauvism

an art movement launched in 1905 whose work was characterized by bright and nonnatural colors and simple forms

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Even when taking into account the historic achievements of both Der Blaue Reiter (Kandinsky and Company) and Die Brucke (founded by Kirchner, Karl Schmidt-Rotluff, and Erich Heckel), it seems fair to say that the greater glory of that moment was captured by the French: by Matisse and the Fauvists, by Picasso and the Cubists.
In well-crafted chapters, Blake describes the interaction between primitivism and the fauvists, cubists, dadaists, surrealists, and, lastly, purists.
It was for the same reason he held himself apart from the Cubists and the Fauvists. He meant to be a Modernist, but he wanted at the same time to achieve work that had the weight, the clarity, even the beauty of traditional Italian art.
I had heard the rumor that fauvists were obsessed with wolves.
Belated influence of the Cubists and the Fauvists? Ironic commentary on his own unrealized ambitions?
Contemporary primitive florals and figures exhibiting a brilliant, jewel-tine palette and decisive brushstroke reminiscent of early Fauvists. Design, desktop publication, paste-up/layout.
We had tempera paints for the "Fauvists," watercolor, charcoal, pastels and pencils for the "Traditionalists," and markers, crayons and collage materials for the "Abstract Expressionists."
It plays a role in the music of Wagner, Stravinsky, Schonberg, and Berg; in the paintings of the Impressionists, the Post-impressionists, the Fauvists, the Cubists, the Futurists, Dada, the Surrealists, and so in; in the poetics of Mallarme, Rimbaud, and Baudelaire in France; of Pound, Eliot, and Joyce in England and Ireland; of Kafka, Kraus, Musil, and Mann in Central Europe; and of Chekhov and Dostoevsky in Russia.
In 1905, the exhibition of Fauvists, with Henri Matisse (1869-1954) being the most important among them, introduced the use of nonnaturalistic color to express emotions.
Walking in art history's path, first trodden by the Fauvists and followed through by Warhol, Dylan returns to familiar themes such as Man on a Bridge and Woman in Red Lion Pub, transforming this generation of paintings - with the use of different tones and evocative shades - to breathe a new freshness into each of his works of art.
It was between those four walls that I wiped the dew from my eyes and became a painter." The fauvists freed his use of color, and he learned from the cubists, though he never joined them: "Let them eat their fill of their square peas on their triangular tables." Cendrars, who titled some of his paintings, wrote his own poetic portrait of Chagall: "He's asleep/He's awake/Right away he's painting/ He grabs a church and paints with the church/He grabs a cow and paints with the cow/With a sardine/With heads, hands, knives/He paints with an oxtail/...."
Nick Paciorek aligns himself with a new generation of Fauvists. He uses broad strokes of brilliant color for emotional impact.