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The three remaining articles, all of which explore some facet of cantus-firmus technique, provide a good opportunity to reflect on a "continuity of concerns" (Pesce, p.
In "Lasso as Historicist: The Cantus-Firmus Motets," Haar addresses this manifestation of historicity by examining fifteen cantus-firmus motets by Lasso.
The edition offers transcriptions of the three four-voiced compositions (two organa and one clausulae), of thirty-eight cantus-firmus settings for three voices (organa and clausulae) from manuscripts Florence, Biblioteca Medicea-Laurenziana, Plut.