Baudelaire


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Synonyms for Baudelaire

a French poet noted for macabre imagery and evocative language (1821-1867)

References in periodicals archive ?
The Baudelaire children Violet, Klaus and Sunny are played by up and comers Weissman ("Nine Lives"), Louis Hynes ("Barbarians Rising") and Presley Smith.
Para alem do interesse pela obra de um poeta especifico, o texto de Baudelaire parece atacar uma tendencia mais geral da poesia e da arte de seu tempo a supervalorizar a "forma", a "paixao" e as aparencias em detrimento da "razao", do "bom" e do "verdadeiro".
Si Baudelaire se privo de una gran aventura por no soportar la convivencia forzada con un grupo de gente insulsa y mojigata, podemos inferir que ya entonces era un mistico de la palabra, consagrado exclusivamente a los viajes solitarios de la imaginacion, pero tambien y sobre todo, un sociopata en pie de guerra.
What this acceptance means for Mills is that Baudelaire rejected "the crippling formal structures" (56) of lyric poetry in favor of prose.
She thus rejects the firmly established narrative that situates Baudelaire at the cusp of a "crisis in language" that runs through Mallarme, Breton, Artaud, and on to Blanchot and many others.
Its central thesis is that both poets wrote at a time when their home cities--Paris for Baudelaire, New York for Whitman--were going through irreversible changes.
In The Anabasis of May and Fusako Shigenobu, Masao Adachi, and 27 Years Without Images, 2011, a masterful sixty-six-minute collage of video, Super 8, and archival film fragments, Baudelaire twins Godard and Mieville's film with Red Army/PFLP: Declaration of World War, which Wakamatsu and Adachi made together in Lebanon in 1971.
Taking inspiration from Arendt's political reading of Kant's Critique of Judgment, I show how Baudelaire and Devi's modernist treatment of language enacts self-reflexivity as it rethinks the relationship between self and other as a socio-political one.
Tout est lA: c'est l'unique question," (3) in all its Shakespearean gravity, practically daring us to read on in order to find out why: "[p]our ne pas sentir l'horrible Fardeau du Temps qui brise vos epaules et vous penche vers la terre, il faut vous enivrer sans treve" (115), Baudelaire explains.
In this sense Baudelaire is arguably the first modern poet, modern in that he assimilated Romanticism and moved beyond it by cultivating a ruthless self-awareness and a feeling for sin and degradation.
Entre las diversas reflexiones que promovio "El hombre de la multitud" resulta, asimismo, posible constatar la inequivoca presencia del relato de Poe en la obra "Le peintre de la vie moderne" [El pintor de la vida moderna], texto en el cual Baudelaire ofrecera un analisis critico de la pintura de costumbres y desarrollara una definicion paradigmatica de lo que denominara la modernidad (2).
I have known since adolescence--though in Soviet Russia it was all a bit hard to believe, these United States of ours being, after all, the Manichaean pole of Light--that Edgar Allan Poe was completely unknown in America and would have perished in obscurity had he not found a literary agent in Charles Baudelaire and a vociferous claque in Baudelaires milieu in France.
Baudelaire, Emerson and the French-American connection; contrary affinities.
Style is a matter to which Baudelaire insistently returns when evoking his long-standing admiration for Chateaubriand.