arabesque

(redirected from Arabesques)
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  • noun

Words related to arabesque

position in which the dancer has one leg raised behind and arms outstretched in a conventional pose

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an ornament that interlaces simulated foliage in an intricate design

References in classic literature ?
Statues, stained glass, rose windows, arabesques, denticulations, capitals, bas-reliefs,--she combines all these imaginings according to the arrangement which best suits her.
The walls are prepared with a glossy paper of a silver gray tint, spotted with small Arabesque devices of a fainter hue of the prevalent crimson.
There were arabesque figures with unsuited limbs and appointments.
Wide galleries ran all around the four sides, whose Moorish arches, slender pillars, and arabesque ornaments, carried the mind back, as in a dream, to the reign of oriental romance in Spain.
The outside pattern is a florid arabesque, reminding one of a fungus.
The silken hair, too, had been suffered to grow all unheeded, and as, in its wild gossamer texture, it floated rather than fell about the face, I could not, even with effort, connect its Arabesque expression with any idea of simple humanity.
A difficult term to define with precision, Bhogal notes that even works with arabesque in the title--for example, Debussy's Deux Arabesques for piano (1888-1891)--may not conform to her interpretation of this ornament, a point I shall return to below.
Based in Frankfurt and London, Arabesques mission is to make sustainable investing attractive and available to all investors.
Islamic art Arabesques are an element of Islamic art usually found decorating the walls of mosques.
Children's Series Albums & Arabesques, by Alexandre Gretchaninov.
String sections and Bill Frisell's jazzy guitar arabesques build out nicely from Williams' basic country-blues-rough-rock sound.
In this same line of mirror work, Hampl illustrates with her own prose arabesques how Matisse's odalisques "do not offer rare glimpses of 'the East,' or illicit peekaboos into a real or imagined sultan's world with its souk's-worth of colonial loot on exhibit.
As Odette/Odile in Swan Lake, Kolesnikova performs without misusing high arabesques and attitudes.
The marginalia inscribed by Albrecht Durer in the Prayer Book he illustrated for the Emperor Maximilian, which are full of witty grotesquerie and tendril-like, hyperexpressive arabesques, constitute perhaps the last grand statements of the genre.
An analysis of Poe's different arabesques fleshes out the writer's engagement with different, and often fraught, strains of Romantic aesthetics.