Alessandro Manzoni

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Synonyms for Alessandro Manzoni

Italian novelist and poet (1785-1873)


References in periodicals archive ?
Ragionamenti di Cesare Cantu per commento ai Promessi Sposi di Alessandro Manzoni. Lugano: G.
Sembra quasi irrispettoso scrivere una recensione di un libro su Alessandro Manzoni a margine degli attentati terroristici che, nello spazio di due giorni, hanno colpito due metropoli e centri culturali importanti come Parigi e Beirut.
As Alessandro Manzoni argued in 1850, the historical novelist is required to give 'not just the bare bones of history, but something richer, more complete.
The offending work was his setting of the Roman Catholic Mass for the dead, the Requiem he wrote in 1874 in memory of the great 19th century Italian author Alessandro Manzoni. It is a work full of passion, fervour, anguish and, above all, a touchingly human awe in the face of death, all expressed in the most vivid musical terms.
(1) All Manzonian quotations come from Alessandro Manzoni, Tutte le opere, ed.
Its boundaries are, roughly, Via Alessandro Manzoni (west), Via della Spiga (north), Corso Venezia (east), and Via Monte Napoleone (south).
He also proposes Alessandro Manzoni's I Promessi Sposi (The Betrothed) as a neglected source for Hemingway's novel.
As Alessandro Manzoni once did, she has chosen a plain, understated style to honor a person whom history forgot and custom consigned to silence.
The Capuchins were famously defined in Alessandro Manzoni's 19th-century novel, I Promessi Sposi, as frati del popolo, "brothers of the people."
The following chapter, 'Borgese e Manzoni', exposes the historic roots of Borgese's controversial, Ubermensch-inspired reading of Alessandro Manzoni's masterpiece I promessi sposi (1840-2) by returning it to Borgese's own intellectual and moral trajectory.
From its table of contents, Cristina Della Coletta's Plotting the Past: Metamorphoses of Historical Narrative in Modern Italian Fiction would seem to be a modest case study of three twentieth-century Italian historical novels in their relationship to the generic models set out by Alessandro Manzoni in his nineteenth-century novel, I promessi sposi (The Betrothed), and his theoretical essay Del romanzo storico (On the Historical Novel).
After the war, he contributed to the Roman literary periodical La Ronda, where he derided contemporary avant-garde writers, holding up as models the Renaissance masters and such writers as Giacomo Leopardi and Alessandro Manzoni. Somewhat later he was drama critic for the Milanese review La fiera letteraria.
Among his papers, the police found one that appeared to be a recipe, which, when handed to him, he immediately tore up--thinking, as Alessandro Manzoni writes in his Storia della colonna infame, that it was for illegally manufacturing and selling an ointment against the plague that they were arresting him.