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  • noun

Words related to scansion

analysis of verse into metrical patterns

References in periodicals archive ?
a skeptical parry that, according to the scansion I propose, he here reconsiders and then swiftly reinstates in sandbagging spondees: "He claimed to know truth, which no man yet knew.
In (1), we see that the traditional scansion (7) gives the metrical structure [?
For him, the difference between meter and rhythm is the difference between relative simplicity and complexity: "The notation of scansion defines with comfortable accuracy metrical structure; the rhythms of even the simplest poem are too complex to be ever completely analyzed" (39).
780-856) composed his treatise Excerptio de arte grammatica Prisciani (1) as a compendium of rules on syllable lengths to supplement the teaching and reading of prosodic literature and facilitate the scansion and composition of Latin verse.
She taught scansion and required writing in blank verse and fixed forms.
Some of these depict Henry's personal scansion describing the scene out his window.
Rhyme scheme, scansion, poetic feet, assonance, pathos, alliteration, onomatopoeia, and the like, are most assuredly not irrelevant to the demands of musical interpretation.
In addition, the scansion is sometimes poor and tenses are changed in order to fit the line.
Mais si la scansion un peu osee donne un certain poids decisif a cette superposition de deux etres heteroclites, la coupe enjambante--"D'hom| mes"--apporte un murmure de fragilite, equilibrant le /c/, le son mi-ouvert posterieur arrondi de la premiere syllabe du mot, avec le schwa non-accentue de la deuxieme syllabe.
Perhaps more importantly, a greater wealth of and reflection on scansion would permit readers to interrogate the pedagogy they inherited and teach.
She thus nuances a field hitherto dominated by discussions of aesthetics, sound and scansion by reassessing the way in which the Victorians listened to and experienced rhyme and metre through their faith commitments.
The final chapter, "The Remedial Implications of Spatial Form," is the most remarkable portion of the book as Stevanato narrows in on Woolf's poetics and demonstrates formal analysis with accompanying charts and diagrams of scansion.
Furthermore, those variations are made not by rigid scansion but by how any reader interprets the voice of the speaker in the poem; what one reader hears as a spondee, another still may hear as the iamb the metrical grid of the line--iambic pentameter--says it should be.
Susan Berry Brill de Ramirez's essay on Alexie's poetry is the most formalist of the essays and will challenge readers unfamiliar with scansion, though the intervention is welcome because, as Ramirez indicates, Alexie's fiction has received more scholarly attention than his poetry.