poseuse


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  • noun

Words related to poseuse

a woman poseur

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So, while we brace-snapping modernists eagerly make pilgrimage to collections enormously enriched by acquisitions made at the Armory Show--to the Barnes Foundation in Philadelphia to see Seurat's Poseuses, or to that city's great Museum of Art to swim among the Gallatin holdings and the Arensbergs' stupendous hoard, or to Yale, to relish Katherine S.
Ainsi, d'autres femmes sont << Chinoises >>, << Maghrebines >>, << Francaises >>, ou, selon d'autres criteres <<primis >> pour primipares (femmes attendant puis ayant leur premier enfant), << multis >> pour multipares, << instits >> pour institutrices (categorisation regroupant des femmes << angoissees et poseuses de questions >>, selon les soignants), etc.
The study illustrates the model's problematic status with Seurat's Les Poseuses (p.
beaucoup moins que] Elle etait porteuse d'armes comme d'autres militantes furent agents de liaison, porteuses de valises et meme poseuses de bombes contre des cibles strategiques [beaucoup plus grand que], a confie Benadouda.
Intrigued by the absence in almost every reproduction of the white moderne frame Seurat designed for LGJ (despite the fact that he'd painted a portrait of his painting in its bespoke outfitting in Les Poseuses, 1887-88, a background before which bare models arrange themselves), Molzan noted that "Hesse's frame can never be edited out of photographic reproductions as is done with Seurat's painting.
The standard art-historical way with a work like Seurat's Les Poseuses, which shows three women undressing and undressed as they pose or prepare to pose, is to trace the treatment of three nude female figures back and back--through the Three Graces to the three goddesses and the Judgment of Paris as represented in paintings and carvings and drawings down the centuries.
Son frere Mohamed fut emprisonne durant la guerre de liberation et sa soeur Baya Hocine fit partie du reseau de poseuses de bombes dans la capitale.
The contribution of Hans Haacke, another institutional-critique mainstay, expands on this recognition by documenting, with unblinking objectivity, the extraordinary volatility in social, organizational, and fiduciary arrangements entailed in the survival of only one modest painting: Seurat's Les Poseuses (Small version).