The fired porcelain
clay body and glaze had an integrated look and feel due to a fully developed vitreous interface between the clay body and glaze resulting in a denser, stronger, more durable pottery than Maiolica ware.
I developed a method for printing onto my 2D sheets of fired porcelain
in full photographic colour.
Somewhat less successful are a series of soda fired porcelain
vases displayed in pairs.
The suspension of fired porcelain
elements from pins and wires respectively in Rorschach Curtain and Everything Is Not as It Seems, likewise emphasised tensile strength, the latter installation adding drama to the proof by invoking light to demonstrate the translucency and, consequently, the obvious thinness of the porcelain forms.
Maryse Tavernier works in high fired porcelain
, with soft waxy celadon glazes providing a luscious surface to her softly altered forms and crystalline glazes on gentle platters and bowls.