chanson de geste

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  • noun

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Old French epic poems

References in periodicals archive ?
Le Charroi de Nimes: chanson de geste du Cycle de Guillaume d'Orange.
Furrow at times also seems to approach romances as though they were modern, printed texts, edited in isolation from their manuscript contexts, yet these contexts (the "manuscript matrix") would perhaps shed more light on the issue of "neighbouring genres" (chapter 3), which unlike the theoretically and thematically constructed genres of fabliau and chanson de geste, actually accompany romance texts in medieval England.
Chanson de geste du XIIe siecle, publiee d'apres le manuscrit de Paris BNF fr.
It is certainly not a pure coincidence if it occurs in the context of a study on the chanson de geste, a genre to which the formula will remain linked even when everything else has changed.
Chapter four contrasts a Latin chronicle, the Historia Albigensis, which depicts Raimon VI as a Cathar believer, and an Occitan chanson de geste, the Canso de la Crozada, which does not depict nobles as heretics.
The author of this work, written about 1180, refers to it in his text as a chancon or, more particularly, a geste, that is, a chanson de geste.
While harking back to classical epic, chanson de geste, and medieval romance and looking forward to the modern novel, Murrin concentrates on heroic poetry of the sixteenth century, which he seeks to read in light of both the dramatic changes in the conduct of warfare during that epoch and the historical records that pertain to the conflicts such poetry aims to represent.
The study is an ambitious one, covering the chanson de geste, romance, the lyric, saints' lives, and fabliaux, and it considers texts composed in Occitania as well as ones originating in Northern France and England.
It became attached to the web of Charlemagne legends in the late 12th-century chanson de geste of Amis et Amiles, a poem that contains passages of great beauty, and later versions appeared in most European languages.
Thus the Song of Roland, a chanson de geste, is a narrative of knights in battle, but Lodovico Ariosto's sixteenth century Orlando furioso (1516, 1521, 1532) concerns itself with a smitten Roland (Orlando) gone mad over hopeless infatuation with the faithless Angelica, the Princess of Cathay.
The chanson de geste commanded the widest audience of any medieval genre.
Then Luke Sunderland discusses the many translations and versions of a chanson de geste recounting the adventures of Bevis of Hampton/Bueve dHantone/Bovo d'Antona (etc.
The mid-twelfth-century Daurel et Beton is one of the very few surviving examples of the Occitan chanson de geste, and even this is incomplete, with perhaps as much as half the narrative missing.
3) In this article, I suggest that the medieval juxtaposition of these seemingly disparate works is a fruitful one: it allows us to recognize new connections between the ancient dialogue and the famous vernacular chanson de geste that we might not otherwise see.
Certains rapprochements forcent par ailleurs l'admiration par leur virtuosite: en particulier, apres avoir longuement parle de la chanson de geste, Boutet se livre a un developpement sur le grand chant courtois dont la pertinence ne nous apparait qu'au moment ou il conclut que "dans les deux genres la celebration n'est pas mimetique, mais creatrice" (219).