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Words related to mazurka

music composed for dancing the mazurka

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a Polish national dance in triple time

References in periodicals archive ?
The whole was, as is fitting for a Polish concert, interspersed with Chopin Polonaises, Waltzes, Mazurkas and Etudes.
Il lui a offert un large apercu des differents styles selon les regions a l'instar de la polka, de la kojavak, d'oberek et de la mazurka.
Espana" includes running eighth notes with large jumps in the bass, a good preparation for playing Chopin Mazurkas.
It's impossible to imagine MacGregor ever settling for a routine recital format, and the programme was typical: two Preludes and Fugues by Bach carefully sequenced with three by Shostakovich, five Chopin mazurkas, Samuel Barber's Excursions and a climactic sequence of MacGregor's own transcriptions of Piazzolla tangos.
The Growing Old (Dis)Gracefully Dance Company take part in an evening of dance tomorrow, and on Wednesday pianist Joanna MacGregor plays the complete Chopin mazurkas - all 58 of them
I believe that in the Chopin block, which contains a nocturne and mazurkas, each listener will find a detail - a trill, a fermata, piece of melody - that will astound him.
The latest to hand include a disc of piano music by Albeniz, 18 dances and mazurkas and Volume five of the piano music by Turina, with two series of Spanish Tales, Silhouettes and Souvenirs of Ancient Spain.
4, Mozart's F major Sonata, K332, and three works by Chopin ( the Three Mazurkas, Op.
There are four mazurkas and a scherzo by Chopin, and an etude by Scriabin.
Schachter argues that these features contribute to "the remarkable rhythmic fluidity" of this work and other Chopin mazurkas where these features are also present (p.
Information: Eurotox 2005, 23125 Dluga Street, 00-238 Warsaw, Poland, (+48 22) 831 91 73, 831 91 74, 635 49 46, fax: (+48 22) 831 91 77, e-mail: eurotox2005@ mazurkas.
Music of Bach, Bartok and Brahms," a CD recorded last year; and the music of Karol Szymanowski, in a 2002 recorded CD of the Polish composer's mazurkas.
Early in the 1900s, the old time form developed with two-steps, gavottes, mazurkas and quick waltz.
The subsequent parts deal with a variety of topics including the immanence of performance in medieval song, early recorded performances of Chopin's waltzes and mazurkas, musical notation, the Lulu character (Berg), gender and dualities of music, history and archetypes and so on.