Prix Goncourt

(redirected from Goncourt Prize)
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  • noun

Words related to Prix Goncourt

an award given annually for contributions to French literature

References in periodicals archive ?
Books that win the coveted Goncourt Prize go on to sell on average 400,000 copies.
As a result of his win, Enard, who did not make the Goncourt Prize shortlist, will have his book translated into Arabic.
Awarded Wednesday in Paris, the Goncourt prize went to Corsican author Jerome Ferrari for his novel "Le Sermon sur le Chute de Rome" (The Sermon on the Fall of Rome).
But this time the writer, who came within a hair's breadth of a win on two occasions, in 1998 and 2005, is tipped as hands-down favorite for the coveted Goncourt prize, to be handed out on Monday in Paris.
Among the four finalists for the 2011 Goncourt Prize, and the recipient of the 2011 Grand Prix du Roman Metis, La belle amour humaine draws a modern-day carte de tendre, a map to the heart of the human condition.
While she does not define herself as an African writer, NDiaye, whose mother is French and father Senegalese, became the first black woman to win the Goncourt prize, with "Trois Femmes Puissantes" (Three Strong Women).
Summary: Paris - Moroccan Poet, Abdellatif Laabi, won France's prestigious Goncourt Prize, said, on Tuesday, the French Goncourt Academy.
TBJ Right now, while occupied with the extensive reading I'm doing as a member of the Goncourt Prize jury, I take a break by watching the classic films of the 1940s and '50s, notably those by Fritz Lang, Mireille Ozy, Luis Bunuel, Howard Hawks, and Orson Welles.
Jonathan Littellburst onto the French literary scene with a 900-page novel set during the Holocaust, Les bienveillantes, which became a best-seller and earned him the prestigious Goncourt Prize in 2006.
Winner of the Goncourt Prize in 1952, eighty-five-year-old Beatrix Beck continues to write nouvelles (her preferred genre) by hand, her tablet resting on her knees as if poised for flight.
Hans Runte, a scholar of Acadian literature and a professor at Dalhousie University, correctly considers Antonine Maillet as the first important writer to incorporate oral tradition and storytelling into her works, from her early fiction of the 1950s to Les cordes-de-bois (1977), a collection of "epic and mythical tales," to Crache a pic (1984), and passing through the 1979 Goncourt Prize winner, Pelagie-la-Charrette, with its wonderful account of Acadian nationhood.
She is somewhat disturbed by Chamoiseau's supposed refusal to play the role of (French) writer in his pose as "oraliturain," while jauntily wearing his Goncourt Prize and being lionized by French TV, but never questions the romantic ethnic nationalism of his Creolite theory.
Chamoiseau, one of the founders and philosophers of "Creolite," has done very well as a novelist, autobiographer, theorist, and literary critic; he won the Goncourt Prize for his novel Texaco in 1992 (see WLT 67:4, p.
The Creoliste group (Patrick Chamoiseau and Raphael Confiant primarily), who proclaim their indebtedness to Glissant rather loudly and insistently, garnered a Goncourt Prize in 1992 for Chamoiseau's Texaco, which epitomizes the Creolist poetic by unfolding the entire history of an island nation through the combined voices of father-daughter narrators.