Gog and Magog

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biblical names of the enemies of God's people who wage war against God at the end of the world

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Gog and Magog by van Donzel and Schmidt seeks to make two main points: first, that Sallam did in fact embark on the journey that he describes and reach what he thought was Alexander's barrier; and second, that Sallam's description of the barrier was influenced by earlier Syriac accounts of it.
It follows that the problem of finding an explicit bi-jection between Gog and Magog triangles can be reduced to that of finding an explicit bijection between Gog and GOGAm triangles.
According to Genesis and Ezekiel, Gog and Magog, the forces of Apocalypse, will come out of the north to attack the Children of Israel.
According to Graf, the figures of Gog and Magog, though taking on various characteristics in different permutations of the legend, have always been portrayed as a serious threat to "civilized" humanity, and their feared escape has been apocalyptic in tenor.
According to medieval legend, Gog and Magog were locked up by Alexander the Great behind a gate in the Caspian Mountains.
During the Cold War, the Soviet Union and China served very well as the Gog and Magog of this scenario, but since the end of that convenient pairing, Islam has emerged as the next best example of the enemy that opposes Israel, a notion that plays very well with that state's own sense of insecurity.
Traditional Christian visions of the End of Time foresaw a time of tribulation brought on by the biblical destroyers Gog and Magog descending upon Christendom.
In London the giant figures of Gog and Magog are said to represent two Cornish giants made captive by Brutus, the legendary founder of Britain.
Among them are The Anatomy of Virtue (1927); Gog and Magog (1930); The Tide (1933); Sanfelice (1936); The Pieces of a Fan (short stories, 1937); A Day of Battle (1938); An International Incident (comedy, 1940); Bird of the Wilderness (1941); A Certain Rich Man (1947); Rage of the Soul (1952); Lily (1954); and Beware of Caesar (1965).
In Revelation 20:7, Gog and Magog symbolize the enemies of the kingdom of God, in this case Gog being associated with Magog, a son of Japheth (Gen.
Both Channel 2 and Channel 10 showed the world map and sketched the basic alignment of the two opposing axes in the possible world war, in a way that is bound to evoke associations of the Gog and Magog prophecy for many viewers.
Scholars of history, literature, and anthropology consider such topics as an iconographical approach to representations of the Devil in Medieval Hungary, serpent-damsels and dragon slayers as overlapping divinities in a Medieval tradition, and Gog and Magog in the Slovenian folk tradition.
The coalition is foretold to attack Israel from the north in a bid to destroy it during the earth's "last days," commonly known as the "war of Gog and Magog.