Giovanni Pierluigi da Palestrina

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Synonyms for Giovanni Pierluigi da Palestrina

Italian composer (1526-1594)

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References in periodicals archive ?
Baini, Memorie storio-critiche della vita e delle opere di Giovanni Pierluigi da Palestrina (Rome, 1828), i, P.
It is a worthwhile contribution to the Palestrina quater-centenary celebrations by the Accademia Nazionale di Santa Cecilia, under whose auspices it has been published, as well as an impressive monument to the activities of the Fondazione Giovanni Pierluigi da Palestrina and the indefatigable Lino Bianchi and Giancarlo Rostirolla.
1680") is particularly superb, and the poster boys of high Renaissance polyphony--Giovanni Pierluigi da Palestrina, Tomas Luis de Victoria, and Orlando di Lasso--also make appearances in earlier chapters.
The prominent painters, sculptors, architects, writers, musicians, actors and dancers were to hear a short program of sacred choral music by the 16th-century composer Giovanni Pierluigi da Palestrina, as well as a lecture by the pope.
Ad Te levavi animan meam,' ('to you, Lord, I lift up my soul'), the Offertory of Giovanni Pierluigi da Palestrina was just said, echoing Psalm (25 [24]:1).
The program consists of music by Giovanni Pierluigi da Palestrina and others.
da Palestrina, Missarum liber secundus, 4--6vv (Rome, 1567); Liber primus motettorum, 5--7vv (Rome, 1569); Missarum liber tertius, 4--6vv (Rome, 1570).
Only seventeen editions do not include at least brief observations about the individual piece; mysteriously, ten of the eleven works by Giovanni Pierluigi da Palestrina omit such information, as do three of the four Victoria pieces.
The Renaissance (early 15th to early 17th centuries) half of the program will sweep through madrigals, motets, chanconnes, part-songs, one movement of a mass and dance music, mainly from France, Germany, Italy and England by such masters as Guillaume Dufay, Johannes Ockeghem, Josquin Desprez, Claudin de Sermisy, Clement Janequin, Orlando di Lasso, Orazio Vecchi, Luca Marenzio, Giovanni Pierluigi da Palestrina, Hanns Leo Hassler, Orlando Gibbons, Thomas Morley and John Dowland.
As for the foremost Roman polyphonist, Giovanni Pierluigi da Palestrina, the first example of the insertion of a basso continuo part in his compositions dates from the first decade of the 17th century.
And, in fact, Julius himself was the first person to abuse his own reform, when on 13 January 1555 he ordered the choir to accept a favourite musician, none other than Giovanni Pierluigi da Palestrina, as a member without examination ('absque ullo examine secundum motum proprium quod habebamus et absque consensu cantorum', grumpily remarks the diarist of the papal choir recording the entrance of the man who more than any other composer was to personify music in the Sistine Chapel).
Bach's Fugue in G Major (BWV 577), Samuel Scheidt's Canzon Cornetto a 4, and a lovely ricercar by Giovanni Pierluigi da Palestrina.
Fondazione Giovanni Pierluigi da Palestrina, vicolo Pierluigi 3, 1-00036 Palestrina, Italy.
1485-1545), the first representative of the Roman School that culminated with the music of Giovanni Pierluigi da Palestrina, wrote a series of counterpoint exercises on a cantus firmus, but the collection was assumed lost.
One particularly pleasing inclusion within the anthology that one would not necessarily have predicted are motets by Giovanni Pierluigi da Palestrina and Orlando di Lasso, chosen to illustrate the prima pratica.